All you need to add to the 8th-note groove is a kick on the second and fourth beats, increasing the emphasis on each beat and the low frequencies. In programming terms, this is simply a matter of adding two extra clicks to the first beat. If you can master the 8th-note groove above, then you shouldnвЂ™t have any problem with this one, in fact, it might even be easier to play in some ways. Drum pattern two: The four-to-the-floor beat Michael JacksonвЂ™s вЂBillie JeanвЂ™ is probably the most well-known use of this beat. Make sure you experiment with different tempos (donвЂ™t get stuck in a rut with that). Load your favorite Bandlab drum kit вЂ“ try the Funk Kit with the BL 1176 compressor and a little Studio Reverb вЂ“ and youвЂ™re good to go. YouвЂ™ve got a kick on the first and third beats, snare on the second and fourth, and those closed hi-hats on every quaver note going across the bar. Nail this one and you can start programming or recording beats immediately. ItвЂ™s all about the hi-hats playing those 8th notes, including those that fall between the kick and snare hits.

ItвЂ™s a good starter because itвЂ™s so adaptable and works at any tempo. Read more: Six drum patterns from popular genres explained Drum pattern one: The 8th-note groove These classic beats are the building blocks of constructing your own drum patterns whether youвЂ™re working with a trackpad or a kit. Most DJs who move into production start off wanting to add custom beats, and it doesnвЂ™t hurt to learn some of the fundamentals that drummers employ. It is a really powerful and creative technique, but eventually, youвЂ™ll need to know more about how beats are made so you can construct your own. Sometimes that means sampling taking a slice from a record and rehashing it for your own needs. You may or may not be a drummer, but if youвЂ™re a producer you need to know about drum pattern basics.

Basic drum beats loop